Three systems that then create a location.
And all together they work like this.
And in real life.
At the Grand Ol' Oprey. I wanted to suggest an abstracted red barn motif like the one used on the TV show for many tears.
And in real life.
Three different systems for the Las Vegas location.
And a couple options on how they go together, complete with rain curtain US and LED tape under the steps of the set..
For Carnegie Hall I wanted to accentuate the columns of the set.
And in real life.
Who knew she died at the end?! My "Go into the light, Patsy Cline" light.
This is how all of this was presented to the director and production staff.
"A Closer Walk with Patsy Cline" at Bristol Riverside Theater. I literally brought the set into Vectorworks and turned some lights on from another show.
After showing the director (Susan Atkinson) what different systems would look like a month before we were in the theater, I "cued" nearly every scene into a PowerPoint storyboard that allowed her to look at the progression of the design and how different scenes fit into the overall arc.